Passed a line of wagons headed for Amber. A few horsec men went by me headed.

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A period of very intense despair. Despair at the quality of the text by that time. MR: Do you still despair of the text? WG: Oh yeah. MR: The finished? The product? WG: Well you know once they're finished once they're. . . once they're. . . you know? MR: How do you decide that the text will go? WG: Well that's one of the really tricky parts. It's a good trick. I don't know. I wish I could. . . I mean I wish I could tell you. Nobody could ever really tell me. You just have to know when it's done. You have to know when you've taken off. . . when you've taken out as many of the wrong words and put in as many of the right words as you're likely to be able to do. And then there's a point beyond which anything you could do to it would cause it to diminish. And its. . . to know where that point is. . . I just don't. . . MR: One fascinating piece I saw in _Virtual Light_ was. . . I remember reading a story of yours years ago: Academy leader..
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